NEW DANCE HORIZONS
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          • This Duet That We've Already Done (so many times)
          • Stream of Dance Festival 2018 >
            • SOD#1 Kick off | Artist Bios and Credits
            • SOD#2 Prairie Currents A | Artist Bios and Credits
            • SOD #3 Prairie Currents B | Artist Bios and Credits
            • SOD #4 Prairie Currents C | Artist Bios and Credits
            • SOD #5 / #7 Prairie Dance Circuit | Artist Bios and Credits
            • SOD #6 Prairie Currents D | Artist Bios and Credits
            • SOD #8 / #9 QUARTANGO
          • Rouge-gorge Spring Show
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        • Re: Celebrating the Body >
          • Exhibition
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      • Season 33 >
        • PERFORMING SERIES >
          • House of Dance
          • Stream of Dance 2019 >
            • SOD #1
            • SOD #2
            • SOD #3
            • SOD #4
            • SOD #5
            • SOD Performance + Art
      • Season 34
      • Season 35 >
        • Summer Stage
      • Season 36 >
        • Stream of Dance
        • LOVE+LOSS
  • Home
  • About NDH
    • Who we are
    • Vision and Mandate
    • Board of Directors
    • Staff
    • Studio
    • Careers
    • Contact Us
  • CREATION + PRODUCTION
    • About Rouge-gorge
    • Eclipse
    • Amelia Itcush
    • Rouge-gorge Archive >
      • PuSh Festival 2023
      • Canadian Performance Series
      • Rouge-gorge ON TOUR 2022/23
      • SILK(s)
      • 2019 KinesTHESES
  • PERFORMANCE + OUTREACH
    • About Performance
    • Season 37
  • Learning + Teaching (Classes)
    • Fall 2022 Classes
    • Winter 2023 Classes
  • Artists-in-Residence
    • About the Residencies
    • Anastasia Evsigneeva
    • Anna Protsiou
    • Bill Coleman
    • Brooke Hess
    • Emily Solstice Tait
    • Gary Varro
    • George Stamos
    • Katherine Semchuk & Meghann Michalsky
    • Marcus Merasty
    • Tessa Rae Kuz
    • Shelley Bindon
    • VibesYQR
    • Past Artists-in-Residence
  • Support NDH
    • Giving Tuesday Classes 2022
    • Extraordinary Tuesday
    • Small Blessings 2022
    • Small Blessings 2022 Ornaments Sale
    • Holiday Stocking Stuffers
    • Friends of New Dance
    • Volunteer
  • Archive
    • Season Archive >
      • Season 32 >
        • Performing Series >
          • S.T.A.B / Etude no 1
          • MELT & SOUNDBURSTING
          • MELT; a prefix for a prayer
          • FELT
          • This Duet That We've Already Done (so many times)
          • Stream of Dance Festival 2018 >
            • SOD#1 Kick off | Artist Bios and Credits
            • SOD#2 Prairie Currents A | Artist Bios and Credits
            • SOD #3 Prairie Currents B | Artist Bios and Credits
            • SOD #4 Prairie Currents C | Artist Bios and Credits
            • SOD #5 / #7 Prairie Dance Circuit | Artist Bios and Credits
            • SOD #6 Prairie Currents D | Artist Bios and Credits
            • SOD #8 / #9 QUARTANGO
          • Rouge-gorge Spring Show
          • Remembering Amelia
          • CPA (Consistent Partial Attention)
        • Re: Celebrating the Body >
          • Exhibition
          • Artist Residency
        • SomaSpheres
        • Moving Anatomy of the Heart
      • Season 33 >
        • PERFORMING SERIES >
          • House of Dance
          • Stream of Dance 2019 >
            • SOD #1
            • SOD #2
            • SOD #3
            • SOD #4
            • SOD #5
            • SOD Performance + Art
      • Season 34
      • Season 35 >
        • Summer Stage
      • Season 36 >
        • Stream of Dance
        • LOVE+LOSS
Picture
Photo Credit: Daniel Paquet

Bill Coleman

Bill Coleman is a choreographer and performer His choreographic work has been presented at the Tramway in Glasgow, New York’s Dance Theatre Workshop, Place Des Arts, Montreal, Alexandrinsky Theatre, St. Petersburg, Russia and the Edinburgh Fringe Festival. Bill collaborated with the legendary jazz band the Sun Ra Arkestra to create Hymn To The Universe in 2008, and is featured in OutSideIn, a 40-minute 3D film that premiered at the 2015 Venice Biennale. 
Bill Coleman webpage
Coleman’s work has transcended traditional theatrical settings to include mountain tops, rainforests, prairies and urban construction sites. He has created a bold collection of large-scale, site-specific works, collaborating with diverse groups including WWII veterans, Aboriginal communities, fishing villages, ranching towns and urban neighbourhoods. He uses dance as a means to unite communities within their natural environment and past locations include Banff, Gros Morne and Grassland National Parks, the steppes of western Mongolia, Long Plain First Nation Pow Wow in Manitoba, the Great Bear Rainforest in BC and Toronto’s Regent Park neighbourhood.
Coleman uses a unique methodology of movement he has developed through his life as a dancer. It involves accessing an embodied cognitive state to explore movement, and as an approach to technical practice as well as performance. The aim is a heightened awareness of the senses that induces both physical control and involuntary movement, allowing participants to access new territories of physical experience and exploration. Coleman currently uses this technique in all his dance practice as well as in local kindergarten classes, open adult workshops, collaborations with organizations such as National Parks Canada and Toronto Community Housing and as a point of departure for research in collaboration with the Department of Cognitive Science at McMaster University.
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Hours: 
Mon - Thu: 9:00 AM - 5:00 PM
Friday: 9:00 AM - 4:00 PM
Sat - Sun: Closed
Statutory Holidays: Closed
Connect with us:
Phone:  +1 306 525 5393
Email: info@newdancehorizons.ca
Fax: +1 306 569 4649
Address: 
2207 Harvey St, Regina, SK
S4N 2N2 Canada
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*Special thanks to the following agencies: Government of Canada, Saskatchewan Arts Board, City of Regina, Canada Council for the Arts, CanDance, Community Initiatives Fund, Dance Saskatchewan Inc., SaskCulture, and Business for the Arts
 
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NDH acknowledges that our organization creates, inspires, presents, and collaborates on Treaty 4 Territory. We affirm our relationship and partnership with the First Nations and Métis people that live here, in the spirit of reconciliation and collaboration.